Roja Hindi Movie In Hindi 📁

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Roja Hindi Movie In Hindi

baba was one of the few directors who could make a difference, when we were growing up, and not have his music changed the film much. there have been many instances where a composer has made it very difficult to even adapt the score into the hindi movie, the point is that if there is no hindi film dialogue, then it is not very useful for the purpose of making a complete movie. then there are songs that are so melodic and have so much feeling that it is nice to get one song and then they play the another with no dialogue. there is a need to have a good balance of each, a compromise that is acceptable to all.

we are in a strange place in the world when it comes to culture, history, and film, where people in india are enjoying a bollywood equivalent. we are actually finding people here in india who adore it, but in those days, the only thing we wanted was to be the 10-minute-movie kind of movie. the fact that it is a popular trend now is one of the biggest reasons why such a film like roja has had such a long life. that is the truest measure of your art in this medium.

a great film like roja may not always resonate with the masses, but everyone knows about it, everyone has heard about it, and everyone has memories associated with it. a movie like that doesn’t fade away and it just remains. you can close your eyes at night and see it, and it might even be in your head when you wake up in the morning.

the most important thing about the song is that it has so many emotions. it breaks your heart with the lyrics and the way the song is structured. if you listen to the whole song, i am sure you would feel good. let’s move beyond that, i think every time you see a film, you’re hoping for a good song. now everyone expects the song and that itself is quite irritating. i think if roja had songs, like kadhal rojave, people wouldn’t have been so frustrated.

the music of the british battle thriller genetown, scored by the flicks is just exhilarating and exciting. the mood of the introduction fits right into the tense story of war’s devastation. it picks up where it left off with a sudden transition to the beautiful shantih of ma, part of the song used as an interlude on the film’s soundtrack album. the song, based on the famous folk tune is the first part of a duet for female singers vardaan and roshini shetty. the second half of the song is instrumentation taken from the japanese folk tune of goshu.
again, the iconic theme from jai ho remains the high point of roja even if a few tunes had to be discarded from the film. it remains one of the greatest coming-of-age stories, with the in-born musicality from the composer in tow. the song ‘chaaku mutthi gallan’ is one of the brightest examples of original melodies and the solos from the violin of rahman keeps the sound fresh. the tune is later used for nargis’s character in the film.
another song from roja that is still live today is ‘yaad rahim’, a duet between the hero anil kapoor and his real life wife, jaya bhaduri. the song is slow and sweet, the music very raga based and quite melancholic. the song remained a favourite until the end of his career, and it was also the last track that he did for hindi cinema.
this is probably the most representative song from roja. written by sukhwinder singh, the music of this song is as much about romantic thoughts as about the play on the rules of the bhajan. the rhythmic composition is quite different from roja by a bollywood composer – it’s a blend of sheer exuberance and subtlety. something worth exploring.
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